Showing posts with label Neil Young. Show all posts
Showing posts with label Neil Young. Show all posts

Monday, May 10, 2010

Neil Young: Thrasher

SONG Thrasher

WRITTEN BY Neil Young

PERFORMED BY Neil Young

APPEARS ON Rust Never Sleeps (1979)

Two themes have emerged from Neil Young's career: The primacy of individualism and the value of change for its own sake.  Few songwriters have expressed the necessity of going your own way as effectively as Young: His eccentric, defiant individualism marks his career and his success as much as any other trait. Even a Young song that doesn't deal directly with this theme comes from his unique, highly personal perspective.

Set in a surreal approximation of the American west and inspired by his tenure with Crosby, Stills, Nash, & Young, "Thrasher" reflects the essential Neil Young theme of the dangers -- fear, really -- of calcification that comes from standing still and conforming. The song describes an arc beginning with an eagle ascending over a river of life and concluding with a vulture swooping down on the road to death.

A vision of gigantic thrashers inexorably mowing down all in from them haunts Young throughout:
When I saw those thrashers rolling by,
Looking more than two lanes wide
I was feelin' like my day had just begun
Although he knows that the thrashers will eventually come for him ("When the thashers come/I'll be stuck in the sun") as they must for us all, they're also a signal to live the life he has in the best way he can. For Neil Young, that always meant being himself; specifically, following his artistic muse wherever it led.

Three times, he returns to stifling canyons as places in which one loses ones way and from which one requires rescue:
I searched out my companions,
Who were lost in crystal canyons...

They were lost in rock formations...

I was watchin' my mama's T.V.,
It was that great Grand Canyon rescue episode...
The canyon walls of the mind, of business, of life, even of art hem one in: They stifle creativity and suppress the potential offered by change.

Young scatters the song with penetrating, metaphorical aphorisms like this one--
When the aimless blade of science
Slashed the pearly gates.

--a reminder that we live in times that more than ever require a belief in oneself, as that is becoming all that we have left to believe in.

In the song's portentous coda, Young admits that he, too, will go the way of the dinosaurs, but at least he'll know that when that time he'll have hoed his own row and no one else's: When "the time has come to give what's mine," he'll have something of his own to pass on. And he'll be "stuck in the sun" far from the immobilizing "crystal canyons" where success threatens creativity and self.

LYRICS
They were hiding behind hay bales,
They were planting in the full moon
They had given all they had for something new
But the light of day was on them,
They could see the thrashers coming
And the water shone like diamonds in the dew

And I was just getting up, hit the road before it's light
Trying to catch an hour on the sun
When I saw those thrashers rolling by,
Looking more than two lanes wide
I was feelin' like my day had just begun.

Where the eagle glides ascending
There's an ancient river bending
Down the timeless gorge of changes
Where sleeplessness awaits
I searched out my companions,
Who were lost in crystal canyons
When the aimless blade of science
Slashed the pearly gates.

It was then I knew I'd had enough,
Burned my credit card for fuel
Headed out to where the pavement turns to sand
With a one-way ticket to the land of truth
And my suitcase in my hand
How I lost my friends I still don't understand.

They had the best selection,
They were poisoned with protection
There was nothing that they needed,
Nothing left to find
They were lost in rock formations
Or became park bench mutations
On the sidewalks and in the stations
They were waiting, waiting.

So I got bored and left them there,
They were just deadweight to me
Better down the road without that load
Brings back the time when I was eight or nine
I was watchin' my mama's T.V.,
It was that great Grand Canyon rescue episode.

Where the vulture glides descending
On an asphalt highway bending
Thru libraries and museums, galaxies and stars
Down the windy halls of friendship
To the rose clipped by the bullwhip
The motel of lost companions
Waits with heated pool and bar.

But me I'm not stopping there,
Got my own row left to hoe
Just another line in the field of time
When the thrashers comes, I'll be stuck in the sun
Like the dinosaurs in shrines
But I'll know the time has come
To give what's mine.

Thursday, July 16, 2009

Neil Young: Sugar Mountain

SONG Sugar Mountain

WRITTEN BY Neil Young

PERFORMED BY Neil Young

APPEARS ON Decade (1977); Live Rust (1979); Sugar Mountain: Live At Canterbury House 1968 (2008); Neil Young Archives, Vol. 1: 1963-1972 (2009)

NOTE According to Joni Mitchell, the line "you can't be twenty on Sugar Mountain" stems from Young's realization that he would soon no longer be allowed into the teen-only hangouts that had been the staple of his social life.

Perhaps because they must thrive in a decidedly unsentimental environment, rock stars from Jackson Browne to The Kinks have looked back on innocence of childhood with a wistfulness and nostalgia unusual for the genre. None, perhaps, did this to better effect than Neil Young, who wrote "Sugar Mountain" at the ripe old age of 19.

Using an amusement park as a metaphor for childhood, Young retraces his youth beginning with vague memories of "the barkers and the colored balloons," the hoopla of the park, and eating candy with his friends and parents. In later years, he catches the eye of a girl and even sneaks his first cigarette "underneath the stairs." Finally, he eagerly heads out on its own only to discover that "real" isn't what he had imagined.

Young maintains that he wrote 126 verses to "Sugar Mountain" and that -- in the process of paring them down to four -- he included the worst verse he ever wrote (the third). To me, though this image of teen-aged boy huddling under the stairs, nervously smoking after having given some offense -- epitomizes adolescent anxiety. Although it does not depict growing up with the same fondness as the first two verses, it's a perfect bridge to the uncertainties of adulthood evoked in the final verse.


LYRICSOh, to live on Sugar Mountain
With the barkers and the colored balloons
You can't be twenty on Sugar Mountain
Though you're thinking that you're leaving there too soon
You're leaving there too soon

It's so noisy at the fair
But all your friends are there
And the candy floss you had
And your mother and your dad
Oh, to live on Sugar Mountain
With the barkers and the colored balloons
You can't be twenty on Sugar Mountain
Though you're thinking that you're leaving there too soon
You're leaving there too soon
There's a girl just down the aisle
Oh, to turn and see her smile
You can hear the words she wrote
As you read the hidden note

Oh, to live on Sugar Mountain
With the barkers and the colored balloons
You can't be twenty on Sugar Mountain
Though you're thinking that you're leaving there too soon
You're leaving there too soon
Now you're underneath the stairs
And you're giving back some glares
To the people who you met
And it's your first cigarette
Oh, to live on Sugar Mountain
With the barkers and the colored balloons
You can't be twenty on Sugar Mountain
Though you're thinking that you're leaving there too soon
You're leaving there too soon
Now you say you're leaving home
because you want to be alone.
Ain't it funny how you feel
When you're finding out it's real?
Oh, to live on Sugar Mountain
With the barkers and the colored balloons
You can't be twenty on Sugar Mountain
Though you're thinking that you're leaving there too soon
You're leaving there too soon